NY: Vincent FitzGerald, 1987. 8 1/2 x 11 1/2. 26 text pages, a double gatefold lithograph and five color etchings by Neil Welliver. Bound in a richly colored woven & collaged silk fitted cover in red silk tray case. Fine. No. 18 of 75 copies signed by the translator Michael..... More
Red Hen Press, 1995. 12 x 15. Each essay, printed in brown, is preceded by a blind-embossed shell and followed by a sepia mezzotint. Mezzotints are interleaved with Japanese Unryushi. Quarter brown morocco & cloth by the Gwasg Gregynog bindery, with a brown morocco onlay of angel-wing shells. Slipcase is..... More
(NY): Kaldewey Press, (1987). 15 x 20. (36) pages on English handmade paper, illustrated with 16 linecut-monoprints. There is a double spread illustration of the Pacific coast in shimmering blue & silver, on translucent paper. Bound by C. Zwang into string-tied plexiglass covers, in orange cloth tray case lettered in..... More
Hadley: Double Elephant Press, 2006. 17 x 12. 30 leaves laced together at fore-edges in Coptic style. Illustrated with 19 etchings and 12 lithographs by Kuch. Several additional etchings are on the three-part binding. Upper cover of the book bears a collage of various objects (including scissors) within temple pillars..... More
Iowa City: Naughty Dog Press, 2012. 10 3/4 x 10 3/4 when closed. A double tunnel book, with the two tunnels side-by-side. One side represents the Mother who has frontal lobe dementia; the other her family. The family's view is printed in black & grey and is prison-like; the mother's..... More
(Tarrytown), 1989. 15 x 22. About 28 leaves, a mixture of single sheets, double sheets, and foldout leaves. Some of the pages have been colored before letterpress. Wraps covered with a multicolor woodcut and monotype image on front. In a sepia linen traycase with inset woodcut portraits of Paz and..... More
(Glacier National Park), 2008. 8 x 9. Accordion-fold of 12 pages hand written, drawn, and watercolored. The reverse of each page (the "backside" of the accordion) bears a painted fern. In the form of a naturalist's journal, the artist records what she sees, and the feelings evoked. Attached to sage..... More
