1958. 11 x 8. 15 leaves Frenchfold with ten fullpage woodcuts of South American birds. Each hand colored bird faces a paragraph of text. Blue boards printed across both covers with a woodcut of migrating birds in flight. The binding (fragile & most often found in shabby condition) is here..... More
NY: Grolier Club, 1996. 9 x 12. An original signed & numbered woodcut of a sunflower behind barbed wire tipped in, (94) pages illustrated. Oatmeal cloth, titled in brown on the spine, paper label on upper cover. Blue boards slipcase with Frasconi's red AF monogram. Fine. An artist's copy (AC)..... More
NY: Harcourt, 1968. 2 1/2 x 5 1/2 accordion-fold opening to 130 inches. The end panels are attached to lavender cloth boards, in slipcase with large printed label. Very faint spotting to rear board, but a fine copy. An autobiographical compendium of woodcut images, in color and in black. Printed..... More
(South Norwalk, Winter 1994-1995). 9 1/2 x 12. Twelve leaves of color woodcuts and xylographic text in brown. A full page portrait (head) of a native American in earth tones faces a full page owl in purple & black, followed by seven double-spreads of a poem and an owl, concluding..... More
(South Norwalk, 1969). 9 1/2 x 13. Twelve fascicules in cloth tray case covered with paper marbled by the artist. There are 10 color woodcuts: two are double spread on full sheets folded twice; 8 are smaller woodcuts mounted on the larger sheet. The double-spread of Isola di San Giorgio..... More
(South Norwalk, 1994). 11 x 15 accordion-fold. Fourteen leaves attached at fore-edges open to 174 inches long. Ten woodcuts and other reliefs & embossings. Each leaf of Arches paper is painted or printed deep blue or purple or black, sometimes black-on-black. The text is white. Tiny holes, through which light..... More
(Purchase, NY, 1985). 18 x 15. Seven collotypes from photographs are each numbered 13/20 and signed by the artist. Each is laid into a printed folder of Arches paper, along with title and colophon folios. In a linen portfolio box (slightly bowed) by George Wieck. Fine. A collotype--a beautiful, delicate..... More
