Rochester: Cary Graphic Arts Collection, 1993. 8 1/2 x 6. (10) pages followed by 16 leaves printed rectos only, in black, red, and blue. Reproduced from Zapf's calligraphy, with printed translation beneath. Blue cloth gilt, with red leather spine label. Fine. One of 30 special copies on Arches paper and... More
NY: Z Presse, 1968. 8 x 12. (6), 117, (1) pages. Vellum spine, grey silk boards, tips slightly bruised. Dust jacket is worn around the edges. No. 261 of 975 numbered copies signed by Zapf. Presented are 100 typographical arrangements with considerations about types, typography and the art of printing... More
NY: Museum Books, 1954. Oblong 12 x 9. (4), 100, (7) pages. Vellum-backed boards. With the separate booklet in a pocket at the rear. A fine copy in slipcase. Inscribed by Zapf. With the 4-page folio prospectus. One of 1000 copies. Zapf has designed 100 typographical arrangements, using almost as... More
Rochester, 2009. 8 x 12. Two-page introduction by Jerry Kelly, 20 type specimens printed on rectos in black & red , 2-page list of contributors. Vellum spine & boards. Fine. One of 100 copies. Specimens were created by several presses, including Kelly-Winterton (5), Cary Graphic Arts (5), Rick Cusik (8), and Archetype. More
Frankfurt: Stempel, May 1952. 12 1/2 x 9. Eleven leaves: introductory note in German and English + 10 specimens, printed in black & red on rectos only. vellum-back grey boards with gilt MT on upper cover. Fine. Inscribed by Zapf to Jackson Burke, Christmas 1952. No. 9 of 30 copies... More
(Frankfurt, 1963). 8 x 12. (5), 78, (4) pages. Vellum spine, green boards, printed dustwrapper. Inscribed to a fellow calligrapher. Fine. No. 77 of 100 copies printed for Zapf. German edition, privately printed at Stempel. Brief introduction in German, English, & French. Many of the 78 typographic layouts are presented... More
