Seal Harbor: High Loft Press, (1982). Two volumes. 10 x 14. The book of (62) pages is illustrated throughout with line cuts adapted from Albrecht Durer (1497). Bound by Gray Parrot in quarter morocco with gilt title & blue cloth boards. WITH: A Portfolio of Six Etchings, Accompanying The Shyp..... More
NY: The Grolier Club, 1933. 8 1/4 x 12 1/4. Half-title, frontis by Emery Walker, vii, (2), 105, (1) pages. Title within white-on-red strapwork border. Red ornaments & strapwork initials. Illustrated throughout with diagrams of Roman letters, with tissue guards. Vellum-backed pattern paper boards by W. H. Smith. Fine in..... More
Chalons-S-Marne: Imprimerie Lithographique Barbat, 1844. 8 1/4 x 11. 319 pages. Collation: (12), 11-107, (3), 113-148, (4), 149-315, (2) pages. A few preliminary pages appear shuffled in order--despite being in the original binding. Entirely lithographed in colors, silver, and gold on glazed white paper. These Gospels for Sundays and holidays..... More
SF, 1958. 10 x 14. xiii, (5), 80 pages (with index) + 18 illustrations. Half tan linen and decorated paper boards, spine label in gilt. Upper tips slightly bumped, else fine. With the prospectus. One of 400 printed in red and black by the Grabhorn Press. Complete bibliographical details of..... More
Northampton: Smith College Libraries, 2005. 7 1/2 x 10 1/2. Photogravure print of Ruth and Clarence Kennedy, (32) pages illustrated, a tipped on proof of title page text Kennedy left as standing type. Bound by David Bourbeau and Stephanie Gibbs in blue & white boards gilt (binding signed with their..... More
London: Nonesuch Press, 1936. 7 1/2 x 12. xi, 80, [20], 98, 99 pages. Green cloth, black leather label. Upper tips bumped; spine extremities lightly faded; very good copy in the original printed dw which is missing some pieces. Laid in is an autograph note signed from Meynell inviting Sydney..... More
Treasury Department. Washington, D. C., 1869. Oblong 13 x 9. 3 leaves, 100 pages, 31 plates. The text is arranged in two sections followed by an Index. Pages 1-36 concern bonds, and are followed by 22 hinged-in engraved specimens. Pages 37-66 concern coinage, and are followed by 9 embossed plates..... More
Cambridge, 1952. 6 1/2 x 9 1/2. Frontis portrait, vii, 40 pages. Illustrated with 14 engravings by Lawrence Josset; all tissue guards present. Pebbled cloth, inlaid cloth label on upper cover. Lightly rubbed, near fine. Mrs. Whatman's detailed notes are a guide book a well-ordered 18th c. English home. Whatman..... More
Np, nd (Probably Ashcaffenberg, ca. 1930). 12 x 11. 24 leaves bearing 241 specimens of decorated papers. The album pages are preprinted in a grid which allows varying sizes of samples to be mounted. At the top of each page is placed the Sorte number (the variety) and the paper's..... More
North Hills: Bird & Bull Press, 1978. 7 x 10 1/2. (5) pages of text and 10 double-spreads of marbled papers. Wraps. Fine. One of 400 copies. This being # 1 -- as were all other 400. More
Bird & Bull Press, 1990. 9 x 12. 61 pages. Quarter morocco & gilt paste paper boards by Barbara Blumenthal. Fine, with prospectus. One of 230 copies, printed in 3 colors on Arches mould-made paper. "Inspired by Chaucer's 'Canterbury Tales' this collection of satirical poetry and prose deals with the..... More
Tokyo: The Mainichi Newspapers, 1974. Eleven volumes in 6 cases. 5 large cases (20 x 14 x 5) contain 1000 large, handmade paper specimens plus supplemental specimens and little "extras." There are 200 specimens in each folding cloth case, divided among several paper portfolios. Each specimen is tipped to a...... More
North Hills: Bird & Bull Press, 1976. 6 x 9. 68 pp. Quarter morocco and marbled boards. Fine. One of 250 copies printed by Henry Morris at the Bird & Bull Press. More
Los Angeles: Dawson's, 1978. 9 3/4 x 12 3/4. 61 pages. Quarter morocco and cloth by Gray Parrot. Fine in handsome custom slipcase, with prospectus. One of 200 copies printed at the Bird & Bull Press, signed by Weimann. Twenty-two (20 of which are full-page) marbled specimens include a Turkish..... More
Newtown: Bird & Bull Press, 1998. 9 x 12 1/2. 165 pages including thirty pages of black and white illustrations, thirty tip-ins, many of which are in full color, seven original folio or quarto leaves from Mountain House books, and four original light-and-shade watermaked papers made by all three generations..... More
(Vashon Island: Foolsgold Studio), 2007. 9 x 15. Most of the book’s painted, stiffened fabric pages have original collages of painted cloth, wood veneer, brass, cork, linen thread and acrylic paint - all materials used in boat building. Quarter leather with painted cloth over sculpted boards with inlays. Fine in..... More
NY, 1992. 6 x 9. Catalogue of the 86th Anniversary Exhibition of the Guild of Book Workers. For each of the 49 works exhibited there is a double spread with photographs of the text and of the designer binding. Bound by Peter Verheyen in red chagrin leather with onlays in..... More
Rheinbach, 2007. 11 x 14. 16 leaves, pulp paper paintings by Gerard meander through the text. Green cloth covered in a pulp paper design, with pulp paper endpapers. Fine in green cloth tray case. Laid in is a typed translation of this poem "The Art of Society." "Grünbein’s poetry is..... More
Lower Marston Farm: Whittington Press, 2002. 10 x 15. 62 pages. 38 ceremonial papers tipped in. Cloth & boards. A colorful paper fan is laid into a separate folder. Both slipcased. Inscription on blank from the printer John Randle (but not signed by him) to a fellow printer & wood..... More
Bird Press, 2003. 6 x 9. 41 leaves: sixteen multi-color lithographs overlaid with sixteen "diagram poems." Citron morocco, uncovered spine reveals yellow cords, grey cloth traycase with leather spine label, by Barry Spence. One of 24 copies. These diagram poems are inspired by the human condition. "In the tradition of..... More
(Syracuse): Bird Press, 1997. Oblong 7 x 5 1/4. An accordion book of nine copper plate etchings printed on Richard DeBas handmade paper, with quotation on facing leaf. Bound in full tan morocco by Peter Verheyen with one of the original 9 copper plates mounted on the upper cover. Fine..... More
(South Norwalk, 1994). 11 x 15 accordion-fold. Fourteen leaves attached at fore-edges open to 174 inches long. Ten woodcuts and other reliefs & embossings. Each leaf of Arches paper is painted or printed deep blue or purple or black, sometimes black-on-black. The text is white. Tiny holes, through which light..... More
(Northampton): Double Elephant Press, 1977. Broadside. 19 x 14. Burns' poem is printed letterpress by Art Larson in the upper two-thirds of the broadside. The bottom third is Michael Kuch's copperplate etching (printed by him) of a mouse turned up in her nest —which is constructed from shredded copies of..... More
(Risbury): The Whittington Press, (2018). 9 1/2 x 13. (iv), 86 pages illustrated with linocuts and wood-engravings from the original blocks + 2 pages of photos & 12 pages of giclée reproductions of Gerry's pochoirs. Three-part binding of citron cloth & decorated boards, cloth slipcase. Rear pocket contains facsimile letter..... More
Easthampton: Pennyroyal Press, 1974. 6 1/2 x 10. 4 leaves printed in black & red, 13 broadside wood engravings in black, titled in red. The engravings measure about 3 x 2 1/2 inches. Laid into a custom cloth folder & matching tray case with leather spine label. Each engraving is..... More
