The Delaware Valley Chapter of the Guild of Book Workers, 2012. 4 x 7. Twenty-one gatherings by as many book artists. Bound by Todd Pattison in deep citron morocco inset with shapes in marbled & gilt papers. Fine. Inspired by Paul Theroux's three essays on orange, green, and purple, the..... More
(North Andover): Kat Ran Press, 1999. 6 x 9. (3) pages. Wraps bound by David Bourbeau in a three-part fold-over binding of pastepaper boards edged & hinged in morocco. The pastepaper on the outer cover is brushed to resemble a column of rising wood smoke, with title stamped in palladium..... More
Leipzig, printed for members of the Limited Editions Club by Poeschel & Trepte, 1932. 7 3/4 x 9 3/4. 240 pages with woodcut initials and section titles by Emil Weiss. Bound by Arno Werner in full black morocco ruled in gilt, Poeschel & Trepte printers mark gilt on upper cover..... More
Philadelphia: Perkins; NY: Monson; London: O. Rich, 1834, 1835, 1836, 1839. Four volumes (complete set). Royal Quarto (9 x 11). Illustrated by numerous American painters and engravers. Full straight-grain black morocco by Benjamin Gaskell, gilt- and blind-tooled borders, embossed plaque center panels, spines gilt in 5 compartments; edges & turn-ins..... More
New-York: Printed [by D. & G. Bruce] for Ezra Sargeant, 1810. Two vols. 4 x 7. 346; 348 pages + 8 full page wood engravings by Alexander Anderson. Bound in full green leather, spines faded to brown. A "composite" binding with central embossed plaque framed by a wide gilt border;..... More
1989. 5 x 8 1/2. 129 pages copiously illustrated with mounted color photos. Bound in hinged binding of leather, marbled boards, and copper overlay. Few tiny scratches, but fine in cloth & marbled paper dustwrapper. No. 41 of 75 signed copies. Printed letterpress with Della Robbia type on Johannot paper..... More
Verona: Officina Bodoni, 1928. 7 x 10. xvii, 135 pages. Full vellum, gilt on spine & covers, top edge gilt, blue & red headbands and ribbon place marker. Fine, almost as new, copy of a book which never shows up. Number 19 of 209 copies printed on the handpress in..... More
New York: Printed for the Convention, 1893. Thick folio (10 x 14). (xvii), 566 pages printed in black & red, each within a foliate border. The 9 signatures on the Certificate page are facsimiles. Original vellum over beveled boards with brass clasps; the upper cover elaborately gilt with central panel..... More
(Syracuse): Bird Press, 1997. Oblong 7 x 5 1/4. An accordion book of nine copper plate etchings printed on Richard DeBas handmade paper, with quotation on facing leaf. Bound in full tan morocco by Peter Verheyen with one of the original 9 copper plates mounted on the upper cover. Fine..... More
London: Shakespeare Press, 1817. Three volumes. 6 1/4 x 10. vi, ccxxv, 410; 535; 544 pages + 37 plates. Copiously illustrated with wood and copper engravings, some printed on India paper and mounted. Rich brown morocco by The Monastery Hill Bindery, a single gilt rule on covers; spine in 6..... More
Chicago: Monastery Hill Press, 1980. 4 1/2 x 7. 148 pages with color woodcut vignettes. Finely bound by J[ean] Lariviere at the Monastery Hill Bindery in full red crushed levant, green morocco onlays, upper cover gilt-lettered, central vellum circular onlays blind-stamped and decorated in wash recreating Reed's illustrations of Fan..... More
Oldham: Incline Press, 2006. 9 x 6 1/2. 21 pages printed rectos only, illustrated with copper etchings & linocuts of objects dug from the old kitchen garden: glass bottles, fossils, small metal obects, clay pipes. Bound by Chris Hicks in green leather with horizontal bands of tan and brown leather..... More
Austin: W. Thomas Taylor, 1987. 6 1/4 x 9 1/2. 130 pages. Dos-a-Dos binding by Silvia Rennie (signed in front hinge) of full green morocco tooled in gilt with 5 onlays of binders' brown morocco "scraps" on both covers. Part I has one darker morocco piece, while part II as..... More
(Vashon Island: Foolsgold Studio), 2007. 9 x 15. Most of the book’s painted, stiffened fabric pages have original collages of painted cloth, wood veneer, brass, cork, linen thread and acrylic paint - all materials used in boat building. Quarter leather with painted cloth over sculpted boards with inlays. Fine in..... More
Paris: Gruel & Engelmann, 1858. 4 1/2 x 6. 704 pages, each within an historiated border engraved by Touillot. Finely bound by Gruel, with a miniscule gilt stamp at spine base and, in an unusual feature, woven into the ribbon book mark. Full wine morocco stamped with a floral boarder..... More
NY: MOMA, 1968. 8 1/2 x 10. 216 pages. An exhibition catalogue, illustrated throughout. Indices. Tiniest bit of wear, a touch of foxing to top edges, but a fine example of this hinged color-printed & embossed aluminium binding. Lots of Bauhaus, work by Max Ernst and El Lissitsky. More
Newtown: Bird & Bull Press, 1998. 9 x 12 1/2. 165 pages (including 30 tip-ins: original folio & quarto leaves from Mountain House books, 4 original light-and-shade watermarked papers made by all three Hunters, color photos, and 30 pages of b&w illustrations). Quarter black morocco & golden silk cloth, red..... More
Strassburg: Wolfgang Köpfel, 1534. 5 x 7 1/4 (186 x 128 mm). Two parts in one volume: (viii), 89, (16) pages. Printer's device at end of each part. Seventeenth or eighteenth century mottled sheep. A very good copy, with generous margins. Fourth and preferred edition of this medal book. In..... More
NY: Vincent FitzGerald, 1987. 8 1/2 x 11 1/2. 26 text pages, a double gatefold lithograph and five color etchings by Neil Welliver. Bound in a richly colored woven & collaged silk fitted cover in red silk tray case. Fine. No. 18 of 75 copies signed by the translator Michael..... More
Boston: L. C. page, nd. 4 x 6. 264 pages followed by a catalogue of other titles in this series of "Dainty Gift Books." Bound in ivorine (celluloid) with fluted edges gilt, hand painted with the scene of a fireplace, candle, and gentleman's cigar; stabbed & tied with ribbon. Very..... More
London: Elkin Matthews, 1897. 4 1/4 x 6 1/2. viii, 132 pages printed in black & red with 18th c. ornaments throughout. Bound & forwarded by accomplished students at County Council Central School of Arts & Crafts. Full tan morocco, title in gilt on upper cover within gilt rules; board..... More
Paris: Alain Brieux, 1964. 9 1/2 x 12. 44, (6) pages + the facsimile of 9 pages and 68 plates etched by Jost Amman(some color in color). Issued in wraps, this copy is bound by Samuel Feinstein in deep brown morocco with a partial icosahedron rising from the upper cover..... More
Red Hen Press, 1995. 12 x 15. Each essay, printed in brown, is preceded by a blind-embossed shell and followed by a sepia mezzotint. Mezzotints are interleaved with Japanese Unryushi. Quarter brown morocco & cloth by the Gwasg Gregynog bindery, with a brown morocco onlay of angel-wing shells. Slipcase is..... More
(Easthampton): 1989. This unique triangular sculpture by Dan Kelm contains 5 flattened tetrahedrons fashioned by Timothy Ely. The sculpture has an integral stand. Height 9 inches; widest part 6 1/4. On the inside of the magnetic lid is printed the title, creators' names, and date. Each tetrahedron is covered in..... More
Hammersmith, 1892. (2), viii, 249, (1) pages. Woodcut border on first text page; woodcut initials throughout. Bound by Zaehnsdorf in 1900 in tan morocco with elaborate acanthus leaf pattern which reflects Morris' leafy woodcut border. Covers are stamped in brown, with brown & gilt rules; full morocco doublures & endleaves..... More
