(Northampton): Double Elephant Press, 1997. Broadside. 19 x 14. Burns' poem is printed letterpress by Art Larson in the upper two-thirds of the broadside. The bottom third is Michael Kuch's copperplate etching (printed by him) of a mouse turned up in her nest (constructed of shredded copies of Burns' poem)... More
Northampton: Double Elephant Press, 2001. Poems by American poet laureate Hecht and intaglios by Michael Kuch form a series of 12 fold-out triptychs. 8 x 15. In a black silk tri-fold binding which supports the unfolded sheets. A red window in the upper cover reveals the half-title. Fine in slipcase... More
Northampton: Double Elephant Press, 2001. 8 x 15. Ten poems by Hecht and 25 intaglios by Kuch appear in a series of 12 fold-out triptychs. In a black silk tri-fold binding which supports the fold-out sheets. A red window in the upper cover reveals the half-title. WITH an extra suite... More
Northampton: Double Elephant Press, 2004. 18 x 14. 24 leaves. A satiric "natural history." Ten plates (13 1/2 x 9 1/2) are etched with images of the beasts, their common names & binomial nomenclature. The etchings are hand colored by Kuch, in the tradition of natural history books. A description... More
Hadley: Double Elephant Press, 2006. 17 x 12. Poetry, lithographs, and etchings by Michael Kuch retell the Biblical story of Samson from Delilah's point of view. The book's images refer to and play upon well-known works of art. The upper cover has a collage of a temple with marbled paper... More
Northampton: Double Elephant Press, 2002. 11 1/2 x 15. 42 leaves: fourteen poems printed letterpress and twenty-one etchings in color and b&w. Three of the images are large, foldout etchings; two of the images are repeated, making a total of 23 etchings. Binding suggests the former World Trade Towers: vertical... More
Hadley: Double Elephant Press, 2007. 15 x 13. Eight chapters each headed by a poem, and followed by five intaglios, "explore the inner landscape of memory, thought & dream." Each leaf suspends from lengths of twine attached to a copper-ribbed spine at the top of the book, which is cloth... More
NY: Double Elephant Press, 1998. 8 1/4 x 9 1/2. A double accordion-fold of 34 leaves: 17 leaves for Gluttons and 17 for Angels, mounted back--to-back and hinged with linen. There are 29 copper-plate etchings: those for Gluttons in shades of brown & rust; Angels in gold, green, and blue... More
Northampton: Double Elephant Press, 2014. 9 x 11 1/2. 29 leaves: there are 13 relief etchings (including the calligraphy) with hand painted marginalia, around a passe partout, revealing the 13 mezzotints of invented martyrs. Bound in molded boardcovered in more relief etchings and edged with copper. In copper-lined black cloth... More
(Northampton) Oxingale Press, 2000. 11 1/2 x 11 1/2. 34 leaves with sixteen color etchings by Michael Kuch. Bound by Claudia Cohen in lemon-colored cloth & her pastepaper boards with an additional etching inset into upper cover. This deluxe set is accompanied by four cloth-bound portfolios, containing: (1) a CD of... More
Northampton: Double Elephant Press, 2016. Twenty-four relief etchings printed in white on handmade black paper. Accordion-fold measuring 5 x 5 x 1 1/2 when closed. Each end is attached to a green cloth over boards binding. Tiny hidden magnets in the book and in the four flap folding case allow... More
Asparagus Valley (Hadley): Double Elephant Press, 2004. 7 1/2 x 10. 16 leaves, 6 of which fold out plus a coded spinning wheel. Printed throughout with woodcuts and chiaroscuro woodcuts in several colors on Japanese handmade paper. Bound by Mark Tomlinson in Shannon Brock's flax fiber wraps printed with a.... More
