Isla Vista: Turkey Press, 1986. Accordion-fold 10 inches tall, opening to 5 metres. Five small woodcuts in the text, which is set as concrete poetry. Bound in red cloth & printed boards with 4 woodcuts by Antonio Frasconi. Matching tray case (tiny bump on one corner) with typographic print on..... More
1958. 11 x 8. 15 leaves Frenchfold with ten fullpage woodcuts of South American birds. Each hand colored bird faces a paragraph of text. Blue boards printed across both covers with a woodcut of migrating birds in flight. A bit of pinpoint foxing on the fore edge; all else fine..... More
(South Norwalk, 1969). 9 1/2 x 13. Nineteen double leaves with 19 color woodcuts tipped onto each page. Each woodcut is signed. Loose as issued in turquoise cloth tray case by Moroquain Bindery (George Wieck). The case is covered with paper marbled by Frasconi. Fine. Walt Whitman was a favorite..... More
(South Norwalk, Winter 1994-1995). 9 1/2 x 12. Twelve leaves of color woodcuts and xylographic text in brown. A full page portrait (head) of a native American in earth tones faces a full page owl in purple & black, followed by seven double-spreads of a poem and an owl, concluding..... More
(South Norwalk, 1979). 13 x 9 1/2. Sixteen folders: title & colophon and 14 color prints, each numbered, dated and signed. The prints are tipped into folders which have been blind-printed with a plate mark. The view in each print is from Frasconi's second floor studio window overlooking the creek..... More
(South Norwalk, September 1974. 15 x 22. Title page & one page of text from Mary McCarthy's The Stones of Florence, both in Frasconi's hand, are followed by 23 full-page color woodcuts and a colophon page with a small woodcut. Most are presented as 28-inch double page spreads on French-fold..... More
(South Norwalk, 1994). 11 x 15 accordion-fold. Fourteen leaves attached at fore-edges open to 174 inches long. Ten woodcuts and other reliefs & embossings. Each leaf of Arches paper is painted or printed deep blue or purple or black, sometimes black-on-black. The text is white. Tiny holes, through which light..... More
(Purchase, NY, 1985). 18 x 15. Seven collotypes from photographs are each numbered 13/20 and signed by the artist. Each is laid into a printed folder of Arches paper, along with title and colophon folios. In a linen portfolio box (slightly bowed) by George Wieck. Fine. A collotype--a beautiful, delicate..... More
