Tuscaloosa: Red Hydra Press, 2000. Two volumes. 7 x 11. Wood engraved portrait, signed, by John DePol, xxv, 332 pages; indexed. Quarter green morocco & patterned boards by Gray Parrot. A separate, cloth-bound book contains the plates. Both volumes in green cloth traycase. A fine set at publication price. Based... More
North Hills: Bird & Bull Press, 1978. 7 x 10 1/2. (5) pages of text and 10 double-spreads of marbled papers. Wraps. Fine. One of 400 copies. This being # 1 -- as were all other 400. More
Oxford: Shakespeare Head Press, 1934. 10 x 14. xvi, 157 pages plus 54 plates and 2 pages of watermarks. Quarter blue morocco spine & corners, tan cloth sides, spine titled in gilt, top edge gilt. Spine sunned to green, leather scuffed at joints and extremities. Book plate on paste down... More
Mittineague: Strathmore Paper Co, 1921. Two vols. 8 1/2 x 13. 28 text pages, 2 plates engraved by Rudolph Ruzicka showing unbalanced and balanced color, and 19 folding color-printed specimens demonstrating color combinations. Cloth-backed boards, printed cover label. Light wear to extremities, rusty paper clip mark inside front cover. Volume... More
Los Angeles: Dawson's Bookshop, 1983. 8 1/2 x 11. xiii, 190 pages, color frontis, 5 leaves of plates (3 in color) and 6 samples of original marbling. Oatmeal cloth with inset marbled specimen by Rubovitz. Fine. One of 850 numbered copies. Inscribed by the author in the colophon. More
(Maidstone, ca. 1976). 15 1/2 x 20 1/2 inches. Most of a ream (about 480 sheets) watermarked JBG 1976. Other watermarks are the "head of Christ as transferred to the kerchief of St Berenice (or Veronica as it is said to be the Vera Icon or true image) when she... More
(Long Island, ca. 1980). 5 1/2 x 7. 8 pages. Booklet in a loose printed wrap of Howell's hand made paper. The booklet has photographs of six Howell hand-bindings for sketch books using some of his highly textured papers. The wrap is sheet of Howell paper, pastel colored with imbedded... More
Tokyo & NY, 1978. 8 1/2 x 11 1/2. 452 pages, of which 113 have tipped-in specimens; photographic illustration, glossary, bibliography and index. Quarter cloth, in clamshell box. Fine copy in the original shipping carton which is lightly stained on one edge. No. 520 of 1000 copies with specimens, which... More
Chillicothe, 1981-83. Two volumes. 12 x 17. Frontis, (8), 198; frontis, (9), 131 pages, plus numerous inserts. Full chestnut morocco by Gray Parrot, ruled in black & gilt, Hunter armorial device gilt on Vol. I, Hunter watermark gilt on Vol. 2. Each volume in a cloth tray case with morocco... More
Newtown: Bird & Bull Press, 1998. 9 x 12 1/2. 165 pages (including 30 tip-ins: original folio & quarto leaves from Mountain House books, 4 original light-and-shade watermarked papers made by all three Hunters, color photos, and 30 pages of b&w illustrations). Quarter black morocco & red cloth, red leather... More
Newtown: Bird & Bull Press, 1998. 9 x 12 1/2. 165 pages including thirty pages of black and white illustrations, thirty tip-ins, many of which are in full color, seven original folio or quarto leaves from Mountain House books, and four original light-and-shade watermaked papers made by all three generations... More
Chillicothe: Mountain House Press, 1937. 8 1/4 x 11 1/4. 3 leaves, photogravure of an elaborate furnace for burning sacred paper, 79, (3) pages (some folding). There are 49 original specimens of Chinese ceremonial paper dating from the 17th c., plus text photogravure and collotype illustrations, and prints in color... More
Chillicothe: Mountain House Press, 1925. 12 x 16 1/2. 48, plus 7 unpaginated leaves with specimens. 22 illustrations and 24 reproductions of old title pages. Loose sheets, as issued, in three-quarter buckram portfolio with cloth ties. Light offsetting as usual from some specimens; fairly heavy, as usual, from the Koops... More
Chillicothe: Mountain House Press, 1932. Folio (12 x 17). Frontis, 71 pages with 15 tipped-in specimens of old papers made from bamboo, mulberry, china grass, and mitsuma; 3 specimens of bark, 11 mounted color prints, & 19 b&w illustrations. Bound by Peter Franck (stamp signed) in three-quarter linen & decorated... More
Chillicothe: Mountain House Press, 1923. 8 1/4 x 11 3/4. Tipped-in frontis of Hunter's paper mill is signed by the artist, Raymond Pearson and titled in pencil by Hunter himself. (iv), 112, (4) pages + 27 plates on Hunter's watermarked paper and specimens and nine leaves with mounted samples. There... More
Chillicothe: Mountain House Press, 1950. 11 1/2 x 16 1/2. (11), 326, (4) pages. Hand-colored photogravure of Hunter's Mountain House plus 96 facsimiles, 27 reproductions of early American watermarks, and 42 reproductions of ream wrappers on handmade paper intended to reproduce the original papers. Three-quarter Irish linen over heavy beveled... More
NY: Pynson Printers, 1939. 9 x 11. 129, (5), pages followed by 27 specimens of Indian handmade papers, some colored. Quarter black leather & India-print cloth. A few small chips to leather spine & rubbed rear joint; bookplate on pastedown; contents are fine; worn slipcase is missing the bottom panel... More
Chillicothe: Mountain House Press, 1947. 7 3/4 x 11 1/2. 102 pages + 3 leaves. The pagination includes two paper specimens and 15 plates of photographs. Red morocco spine, decorated boards, vellum tips by Peter Franck (stamp-signed on rear pastedown). Large bookplate removed from inside front cover, leaving glue residue... More
NY: Pynson Printers, 1936. 9 x 11. 148 pages with 68 photogravure illustrations + 50 annotated paper specimens. Bound by Gerhard Gerlach in quarter morocco & boards printed in gold, black, & red from an old Korean woodblock. Spine a bit dry at head with tiny piece of leather flaked... More
Chillicothe: Mountain House Press, 1927. Folio (12 x 16 1/2). Gravure of the Mountain House, 48 numbered text pages plus 29 un-numbered leaves with text & mounted specimens. Loose as issued in three-quarter buckram portfolio by Peter Franck, with cloth ties, title label on cover. Bookplate inside the portfolio. A.... More
Tokyo: The Mainichi Newspapers, 1974. Eleven volumes in 6 cases. 5 large cases (20 x 14 x 5) contain 1000 large, handmade paper specimens plus supplemental specimens and little "extras." There are 200 specimens in each folding cloth case, divided among several paper portfolios. Each specimen is tipped to a.... More
Newtown: Bird & Bull Press: 1992. 8 1/2 x 12. 40, (26) pages plus leaf. Quarter morocco. Fine. The leaf included here bears a large, clear, centered watermark of Tate's mill. One of 138 numbered copies; produced by the Bird & Bull Press. With a fine leaf, ca. 1495, from... More
Leicester: Twelve by Eight Press, 1971. 8 x 12. Half title, title printed in gold, "special copy" leaf, limitation leaf, (2) contents, 35 printed paper specimens (each interleaved with handmade paper blank except for red numeral), typewritten leaf, Rigby Graham's color thread drawing. Linsom vellum boards gilt. Fine in mylar... More
NY: Chiswick Bookshop, 1966 & Twelve by Eight Press, 1965. Two volumes. 8 x 12. Half title, title printed in gold, "special copy" leaf, limitation leaf, (2) contents, 35 printed paper specimens (each interleaved with handmade paper blank except for red numeral), typewritten leaf, Rigby Graham's color thread drawing of... More
Newtown: Bird & Bull Press, 1986. 8 x 10. 123 pages with 40 paper samples. Large folded broadside "South China Post" is laid in, as issued. Quarter black morocco & morocco tips, decorated paper boards. Fine copy. One of 325 copies. The paper samples, all collected by McClure during the... More
