(Toronto, 2013). 7 x 11. 45 pages illustrated throughout. Cloth-backed marbled boards. Fine in paper chemise with spine label. A colorful and exuberant book printed letterpress in various colors and type faces. The essays are interspersed with mini "broadsides" showcasing quotations from other printers. One of 50 copies. Rueter has... More
SF: BCC, 1976. 10 x 14. 97 pages including 43 facsimile specimen pages. Quarter cloth, paper spine label. Lower tips a bit bumped; all else fine with prospectus. One of 400 copies signed by Angelo. Printed by Andrew Hoyem. Hand illuminated in blue and gilt by Angelo. Essays by Oscar... More
Portland,1943. 7 x 10. x, 170 pages plus inserts. Cloth, leather spine label. Small scrape on label; small light spot on spine, tiny stain on 2 fore edges. Very good copy in moderately worn slipcase. Prospectus and Review laid in. Contains "A Bibliographical Catalogue" by Ruth A. Chaplin, "Notes on... More
Lexington, 1955. 5 1/4 x 7 3/4. (10) pages with 8 woodcuts by Victor Hammer. Blue boards, wrap-around title label. Spine base bumped, one-inch repair to rear backstrip. Very good. One of 250 copies printed by Carolyn Reading in red and black in Hammer's American Uncial type. Hammer based his... More
The Delaware Valley Chapter of the Guild of Book Workers, 2012. 4 x 7. Twenty-one gatherings by as many book artists. Bound by Todd Pattison in deep citron morocco inset with shapes in marbled & gilt papers. Fine. Inspired by Paul Theroux's three essays on orange, green, and purple, the... More
San Francisco: Colt Press, 5 x 7. (36 ) pages, tipped in facsimile of Austen ms. Bound in heavy English embroidered cloth. Fine with prospectus. First printing of these prayers. Printed in handset Centaur capitals, in black & red, on handmade paper. "We have endeavored to make this...as pure and... More
Tuscaloosa: Red Hydra Press, 2000. Two volumes. 7 x 11. Wood engraved portrait, signed, by John DePol, xxv, 332 pages; indexed. Quarter green morocco & patterned boards by Gray Parrot. A separate, cloth-bound book contains the plates. Both volumes in green cloth traycase. A fine set at publication price. Based... More
(North Andover): Kat Ran Press, 1999. 6 x 9. (3) pages. Wraps bound by David Bourbeau in a three-part fold-over binding of pastepaper boards edged & hinged in morocco. The pastepaper on the outer cover is brushed to resemble a column of rising wood smoke, with title stamped in palladium... More
NY: Grolier Club, 1997. 8 x 11. xviii, 142 pages with 18 illustrations. With 5 original leaves (some illustrated, some double) from Windhover Press books. Green cloth spine & pastepaper boards. Fine in slipcase. One of 50 copies specially bound, with original specimens. A comprehensive bibliography of the Stone Wall... More
(Roslyn) Stone House Press & John Carter Brown Library, 1992. 6 x 9 1/2. 85 pages. Six original wood engravings, each printed in a different color, by John DePol; text illustrations. Dark grey cloth, DePol patterned endpapers in blue-grey. This poetic drama, set aboard the Santa Maria, evolves around a.... More
Easthampton: Warwick Press, 2018. 5 1/2 x 8 1/2. 102 pages with 55 color illustrations of commercial work. Two colors of Japanese cloth over boards, with spine & cover labels. Fine. Carol's memoirs of some 45 years as a printer, from her apprenticeship at the Gehenna Press to the present... More
Boston: Impressions Workshop, Cricket Press, 1965. 9 x 9 1/2. 17 French-fold leaves. A color engraving (on the left) faces a poem (on the right). Brown boards, side-stitched, label on upper cover, marbled endpapers. Small bookplates of Harold Hugo & family member on blank. A 45-RPM recording of the poet... More
NY: Khelcom New York, 2010. 8 x 10. Twenty-eight French-fold leaves: 4 pages of text, 3 photogravures (2 double spread) of pilgrimages, 21 fullpage color woodcuts. There are 2 smaller woodcuts within the text. Bound by Gray Parrot in stiff vellum wraps, in cloth traycase with vellum label. Fine. Bogardus... More
Northampton: Smith College Libraries, 2005. 7 1/2 x 10 1/2. Photogravure print of Ruth and Clarence Kennedy, (32) pages illustrated, a tipped on proof of title page text Kennedy left as standing type. Bound by David Bourbeau and Stephanie Gibbs in blue & white boards gilt (binding signed with their... More
NY: Clarke & Way, 1951. 6 x9. (64) pages. Full navy morocco, upper cover gilt with design by Bruce Rogers, top edge gilt. Slight wear to spine, & one tip, very good in marbled board slipcase. With prospectus for the regular edition. One of 100 DELUXE copies SIGNED by Rogers... More
(Emeryville): Havilah Press, 1999. 7 x 10. 11, (1) pages. Wraps, cover label. Fine. No. 122 of 150 copies. The story centers around a newspaper advertisement for a lost umbrella and discusses an 1875 baseball game which was attended by Twain and his friend the Reverend Joseph H. Twitchell. More
Bromer Booksellers & HM Editions, 2015. Miniature. 2 1/4 x 2 3/4. 72 pages + 4 original leaves tipped-in. Bound by Sarah Creighton in full black morocco gilt all-over in a vine pattern. In red silk clam shell box with leather spine label. Fine. No. XXXII of XXXV deluxe signed... More
Andover: Whittington Press, 1992. Two volumes. 9 x 12 1/2. Photographic frontis, xvi, 225 pages, 2 photographic plates, 8 tipped-in original leaves, original wood engraving, and honey label. Quarter vellum & marbled boards. A separate cloth & boards portfolio holds 20 original specimens of Stanbrook Abbey printing (both ephemera and... More
Ashuelot: Trois Fontaines Press, (1997). An original etching tipped-in as frontis, 30 leaves, 3 duotones of etchings. Bound in an abstract paste paper painting over boards. Dan's poems were inspired by the Celtic symbolic alphabet of trees. Written during the 10 years required for him to cut the Regulus type... More
(Columbus, OH): Logan Elm Press, 1990. 9 x 12 1/2. 19 leaves with colorful images and hand painted calligraphic initials throughout the letterpress. The double spread title page is hand-lettered & ornamented with gold. Stiff wraps sewn onto leather spine, yapp edges. Fine in sturdy slipcase cover in paste paper... More
Oxford: Shakespeare Head Press, 1934. 10 x 14. xvi, 157 pages plus 54 plates and 2 pages of watermarks. Quarter blue morocco spine & corners, tan cloth sides, spine titled in gilt, top edge gilt. Spine sunned to green, leather scuffed at joints and extremities. Book plate on paste down... More
(London: Circle Press, 1996). 4 1/2 x 6 1/4. 176 pages filled with b&w and color illustrations + an ABC pop-up by Ron King. Bright orange wraps with an embedded wire sculpture. Fine. One of 1000 copies, initialed by Ron King inside rear cover. More
London: The Gogmagog Press, (1963). 4 1/4 x 7 1/2. 26 leaves, joined at fore edges, including 8 double page color prints. Plain brown wraps. Fine. One of 80 copies signed by Cox. "This little book utilizes a series of blocks made from odds and ends of waste material, printed... More
The Gogmagog Press, 1972. 5 3/4 x 9. 48 French-fold leaves, illustrated with 8 full page color intaglios. Boards covered with Japanese "net-mesh" paper. Fine. Cox’s impressionistic poems are reflected in his typography. In the layout for “Band in the Park” one can see a park with a lake and... More
Pasadena, 1981. 6 x 9. 77 pages, illustrated. Brick red cloth. very good. With tributes by Ward Ritchie and Jake Zeitlin. One of 500 copies. More
