London, 1803. Second edition, with additions. Folio (11 1/4 x 18 3/4). Portrait, title, (iv), xxiv, 240 pages, 32 plates (some hand colored). Recent period-style half calf & marbled boards, original marbled edges. Front endpapers discolored (from glue?); portrait has marginal foxing & small dampstain; light old damp top margin... More

New York, 1855. Oblong 10 x 6 3/4. Title plus 10 plates, all engraved.Original cloth, with large title label on cover. Spine and tips worn; a couple scattered small spots or stains. Generally very good with original tissue guards. McClees specialized in bank-note engraving, working for various companies including Durand... More

Rochester: Cary Graphic Arts Collection, 2016. 11 x 9. xi, 19 leaves of calligraphy in black & red/brown, 6 double-column pages of the artists' biographies (LI-LVI). Quarter vellum & blue boards. Fine. One of 325 copies, designed by Jerry Kelly and typeset in his Rilke typefaces. Printed by Bradley Hutchinson... More

Rochester: Cary Graphic Arts Press, (2007). 7 x 11. 149 pages profusely illustrated. Blue cloth gilt. First English language edition, designed by Zapf and limited to 300 copies. Zapf's story of his life with calligraphy and type. More

(Washington DC) Washington Calligraphers' Guild, 1993. 8 x 11 3/4. 168, (1) ppages Blue cloth, gilt. Fine. Inscribed by Zapf to a fellow calligrapher. Introduction by Julian Walker; a collection of Zapf's calligraphy, alphabet design and book typography. A handsome production printed in several colors at the Stamperia Valdonega. More

Rochester, 2009. 8 x 12. Two-page introduction by Jerry Kelly, 20 type specimens printed on rectos in black & red , 2-page list of contributors. Vellum spine & boards. Fine. One of 100 copies. Specimens were created by several presses, including Kelly-Winterton (5), Cary Graphic Arts (5), Rick Cusik (8), and Archetype. More