London, 1803. Second (and best) edition, with additions. Folio (11 1/4 x 18 3/4). Portrait, title, (iv), xxiv, 240 pages, 32 plates (some hand colored). Recent period-style half calf & marbled boards, original marbled edges. Front endpapers discolored (from glue?); portrait has marginal foxing & small dampstain; light old damp..... More

Bad Goisen: Neugebauer Press, 1974. 5 1/2 x 9. 8 pages accordion-fold, opening to about 40 inches. Calligraphy by Neugebauer is printed in white on black paper. Textured paper over boards, printed label. Previous owner's note on final blank states this was given to him by Neugebauer. Very slight wear..... More

Heavenly Monkey, 2017. 4 1/2 x 6. Title + 26 leaves+colophon, all printed (black) & calligraphed (red) on rectos only. Bound by Claudia Cohen in a non-adhesive limp vellum, gold-tooled at the edges, title calligraphed in red on the spine. The pastedowns are taken from old vellum manuscripts. Fine in..... More

Rochester: Cary Graphic Arts Collection, 2016. 11 x 9. xi, 19 leaves of calligraphy in black & red/brown, 6 double-column pages of the artists' biographies (LI-LVI). Quarter vellum & blue boards. Fine. One of 325 copies, designed by Jerry Kelly and typeset in his Rilke typefaces. Printed by Bradley Hutchinson..... More

Boston: Bromer, 1984. 2 x 2 1/2. Miniature manuscript of 32 leaves of calligraphed text and water colors. Bound by Arno Werner in red morocco with the alphabet in gilt, all edges gilt. Fine in morocco & cloth tray case. A delicate alphabet book --F for Fava Bean, N for..... More

Rochester, 2009. 8 x 12. Two-page introduction by Jerry Kelly, 20 type specimens printed on rectos in black & red , 2-page list of contributors. Vellum spine & boards. Fine. One of 100 copies. Specimens were created by several presses, including Kelly-Winterton (5), Cary Graphic Arts (5), Rick Cusik (8)..... More