London, 1803. Second (and best) edition, with additions. Folio (11 1/4 x 18 3/4). Portrait, title, (iv), xxiv, 240 pages, 32 plates (some hand colored). Recent period-style half calf & marbled boards, original marbled edges. Front endpapers discolored (from glue?); portrait has marginal foxing & small dampstain; light old damp..... More

Frankfurt: Der Goldene Brunnen (1961). 7 1/2 x 10 1/2. (2), xxiv, 34, (2). Fritz Kredel's 24 hand colored woodcuts of roadside flowers & plants are surrounded by George Salter's calligraphic texts from classic German poetry. These are followed by 34 pages of German poems and an index. Vellum-backed green..... More

Heavenly Monkey, 2017. 4 1/2 x 6. Title + 26 leaves+colophon, all printed (black) & calligraphed (red) on rectos only. Bound by Claudia Cohen in a non-adhesive limp vellum, gold-tooled at the edges, title calligraphed in red on the spine. The pastedowns are taken from old vellum manuscripts. Fine in..... More

Rochester: Cary Graphic Arts Collection, 2016. 11 x 9. xi, 19 leaves of calligraphy in black & red/brown, 6 double-column pages of the artists' biographies (LI-LVI). Quarter vellum & blue boards. Fine. One of 325 copies, designed by Jerry Kelly and typeset in his Rilke typefaces. Printed by Bradley Hutchinson..... More

Boston: Bromer, 1984. 2 x 2 1/2. Miniature manuscript of 32 leaves of calligraphed text and water colors. Bound by Arno Werner in red morocco with the alphabet in gilt, all edges gilt. Fine in morocco & cloth tray case. A delicate alphabet book --F for Fava Bean, N for..... More

Rochester, 2009. 8 x 12. Two-page introduction by Jerry Kelly, 20 type specimens printed on rectos in black & red , 2-page list of contributors. Vellum spine & boards. Fine. One of 100 copies. Specimens were created by several presses, including Kelly-Winterton (5), Cary Graphic Arts (5), Rick Cusik (8)..... More