"Romeyn De Hooghe."
1968. Original wood engraving, matted. 14 x 8.9 cm. No. 14 of 100, signed by Baskin. Fern 506. More
1968. Original wood engraving, matted. 14 x 8.9 cm. No. 14 of 100, signed by Baskin. Fern 506. More
(Boston, 2007). 4 1/2 x 4 1/2. Eight leaves. A series of 8 drypoint prints (3 3/4 x 3) made during Spring Training of the Boston Red Sox, in anticipation of Opening Day. Painted wood boards with a baseball painted on upper one, cloth spine. Fine. Everything was possible. The..... More
(South Norwalk, 1979). 13 x 9 1/2. Sixteen folders: title & colophon and 14 color prints, each numbered, dated and signed. The prints are tipped into folders which have been blind-printed with a plate mark. The view in each print is from Frasconi's second floor studio window overlooking the creek..... More
Paris: Marcel Seheur, 1926. 218 pages plus 10 aquatints. Original wraps (slightly soiled, small piece missing at spine base). The text is unopened, mark on one page, page edges dusty. Very good copy. One of 270 copies. Gromaire was a post-Cubist painter, watercolorist, and printmaker associated with the Social Realist..... More
(Northampton), 2000. Bronze bas relief (6 x 9 1/2 ) after the etching "Atomic Clock" in the book Apocalypse Clocks."The image shows clockworks with a human skull incorporated into the mechanism and Fat Man and Little Boy as the weights.” Signed in the metal "Kuch 2000 2/6." Fine. One of..... More
(Northampton, 2002). Color etching of two angels on ladders. One angel is ascending and one descending; one is seen from the rear and one from the front. Printed in yellow & ochre on a single sheet of translucent abaca measuring 29 x 10 1/2 ; folded in the middle. Signed..... More
2002. 23 x 16 1/2. Accomplished in yellows, gold, orange, green, and blue. Dated and signed. Fine condition. A study for an etching in Falling to Earth. When planning illustrations for his books, Michael often begins with a watercolor. More
(Northampton), 1999. A figure seated within a large clockwork mechanism is drawn by two buffalo reaping wheat. The colors are ochre, orange, vermillion, blues, greens, and purple. Pastel measures 9 1/2 x 13 1/2 and is tipped to a larger mat. Signed "Kuch 1999." Fine. Kuch creates his book images..... More
Np, 1980. 13 x 18. Accomplished mostly in blues, greens, and tan. Signed & dated in ink. Fine. George Mackley (1900-1983), was one of the best British wood engravers. He began his artistic life as an oil and watercolor painter. When arthritis made engraving no longer possible, Mackley returned to..... More
(1972). Circular etching 9 1/2 inches in diameter on a sheet 12 x 16. printed in black. Fine condition. Signed artist's proof. More
Middletown CT. 1970. Original acrylics on masonite. 7 1/4 x 5 1/4. Laid into a velvet-lined "antiqued" frame. Fine condition. Reed has produced a marvelous rendition of Paul Revere’s famous engraving of British war ships blockading Boston Harbor -- a harbinger of the American Revolution. The British troops being rowed..... More
(Middletown), 1969. Etching. 6 x 5 1/2. Mounted inside a mat. Fine. The ant's image is surrounded by eight well-known quotations, substituting the word "ant" for "man." E.g. "The proper measure of Antkind is Ant." Signed in the plate with the note "after Vasari et al." Reed, as artist, almost..... More