"Romeyn De Hooghe."
1968. Original wood engraving, matted. 14 x 8.9 cm. No. 14 of 100, signed by Baskin. Fern 506. More
Original Art
Results 1 - 11 (of 11)
Opening Day. Everything (Anything) is Possible.
(Boston, 2007). 4 1/2 x 4 1/2. Eight leaves. A series of 8 drypoint prints (3 3/4 x 3) made during Spring Training of the Boston Red Sox, in anticipation of Opening Day. Painted wood boards with a baseball painted on upper one, cloth spine. Fine. Everything was possible. The..... More
The Tides at Village Creek.
(South Norwalk, 1979). 13 x 9 1/2. Sixteen folders: title & colophon and 14 color prints, each numbered, dated and signed. The prints are tipped into folders which have been blind-printed with a plate mark. The view in each print is from Frasconi's second floor studio window overlooking the creek..... More
A View of Tuscany.
(South Norwalk, September 1974. 15 x 22. Title page & one page of text from Mary McCarthy's The Stones of Florence, both in Frasconi's hand, are followed by 23 full-page color woodcuts and a colophon page with a small woodcut. Most are presented as 28-inch double page spreads on French-fold..... More
Vers un Monde Volage. Illustré de dix eaux-fortes originales par Marcel Gromaire.
Paris: Marcel Seheur, 1926. 218 pages plus 10 aquatints. Original wraps (slightly soiled, small piece missing at spine base). The text is unopened, mark on one page, page edges dusty. Very good copy. One of 270 copies. Gromaire was a post-Cubist painter, watercolorist, and printmaker associated with the Social Realist..... More
Atomic Clock. A bronze bas-relief Apocalypse Clocks.
(Northampton), 2000. Bronze bas relief (6 x 9 1/2 ) after the etching "Atomic Clock" in the book Apocalypse Clocks."The image shows clockworks with a human skull incorporated into the mechanism and Fat Man and Little Boy as the weights.” Signed in the metal "Kuch 2000 2/6." Fine. One of..... More
Original watercolor of 3 angels on the head of a pin.
2002. 23 x 16 1/2. Accomplished in yellows, gold, orange, green, and blue. Dated and signed. Fine condition. A study for an etching in Falling to Earth. When planning illustrations for his books, Michael often begins with a watercolor. More
"REAPER." Original pastel for "Apocalypse Clocks."
(Northampton), 1999. A figure seated within a large clockwork mechanism is drawn by two buffalo reaping wheat. The colors are ochre, orange, vermillion, blues, greens, and purple. Pastel measures 9 1/2 x 13 1/2 and is tipped to a larger mat. Signed "Kuch 1999." Fine. Kuch creates his book images..... More
"ABM ætat 32." Artist's self portrait at the age of 32.
(1972). Circular etching 9 1/2 inches in diameter on a sheet 12 x 16. printed in black. Fine condition. Signed artist's proof. More
A VIEW OF PART OF THE TOWN OF BOSTON IN NEW ENGLAND AND BRITISH SHIPS OF WAR LANDING THEIR TROOPS! 1768.
Middletown CT. 1970. Original acrylics on masonite. 7 1/4 x 5 1/4. Laid into a velvet-lined "antiqued" frame. Fine condition. Reed has produced a marvelous rendition of Paul Revere’s famous engraving of British war ships blockading Boston Harbor -- a harbinger of the American Revolution. The British troops being rowed..... More
"An Ant's an Ant for a' o' That."
(Middletown), 1969. Etching. 6 x 5 1/2. Mounted inside a mat. Fine. The ant's image is surrounded by eight well-known quotations, substituting the word "ant" for "man." E.g. "The proper measure of Antkind is Ant." Signed in the plate with the note "after Vasari et al." Reed, as artist, almost..... More
Results 1 - 11 (of 11)