Chalons-S-Marne: Imprimerie Lithographique Barbat, 1844. 8 1/4 x 11. 319 pages. Collation: (12), 11-107, (3), 113-148, (4), 149-315, (2) pages. A few preliminary pages appear shuffled in order--despite being in the original binding. Entirely lithographed in colors, silver, and gold on glazed white paper. These Gospels for Sundays and holidays... More
Sandy Hook: Chiswick, 1985. 9 x 13. xiv, 115 pages plus 4 original leaves. 46 illustrations in the text. Red cloth gilt, matching slipcase (few waterspots on case). Ink notation on blank in Viv Cohen's hand "4 leaves." Fine. One of 20 copies (of 200) with especially fine leaves. The... More
The Print Club of Philadelphia, 1959. 5 1/2 x 9. Title, 9 pages, colophon, pressmark. Illustrated with 8 engravings. Grey paper wraps, cover label. Bookplates of Harold & Nancy Hugo. With an EXTRA SUITE of the 8 engravings, each signed, on Japanese vellum (with much finer impressions than those on... More
Paris: Librairie Garnier Frères, nd (ca. 1920). Two volumes. 4 1/2 x 7. 208; 205 pages. Front blank bears penciled list of French terms translated into English. Original wraps bound into an unsigned binding of green morocco tooled with Tudor roses & leaves, spine & lower cover with gilt roses... More
Shakespeare Head Press, (Oxford, 1927). 8 volumes. 7 x 9 1/2. 1486 pages. Decorated with 6 hand colored maps, heraldic headpieces & tail pieces, and over 600 hand colored coats-of-arms of English, Scottish, and Irish princes and knights drawn by Paul Woodroffe. Text includes lengthy indices of persons and places... More
Austin: W. Thomas Taylor, 1987. 6 1/4 x 9 1/2. 130 pages. Dos-a-Dos binding by Silvia Rennie (signed in front hinge) of full green morocco tooled in gilt with 5 onlays of binders' brown morocco "scraps" on both covers. Part I has one darker morocco piece, while part II as... More
Lurey, Devon, 1982. 6 1/2 x 9. Title, (52) pages with 26 line-cut illustrations from drawings by Baskin, errata page, hand colored wood engraved press mark (owl & pomegranate). Cream vellumized boards titled in gilt. Fine copy, in marbled slipcase. A special, association copy, "Printer's copy" signed and inscribed by... More
Paris: Gruel & Engelmann, 1858. 4 1/2 x 6. 704 pages, each within an historiated border engraved by Touillot. Finely bound by Gruel, with a miniscule gilt stamp at spine base and, in an unusual feature, woven into the ribbon book mark. Full wine morocco stamped with a floral boarder... More
[Montague], 1915. 8 x 12. 8 pages, tipped in errata slip. Original green paper boards, printed wrap-around label, original green paper dustwrapper. Protected by a cloth chemise & slip case with leather label. Missing small piece at both spine ends, whic have small repairs; faint shadow at gutter from something... More
Chillicothe: Mountain House Press, 1932. Folio (12 x 17). Frontis, 71 pages with 15 tipped-in specimens of old papers made from bamboo, mulberry, china grass, and mitsuma; 3 specimens of bark, 11 mounted color prints, & 19 b&w illustrations. Bound by Peter Franck (stamp signed) in three-quarter linen & decorated... More
The Red Hen Press, 1992. 17 x 21. A suite of 5 large mezzotints, with tissue guards. WITH an octavo booklet of 8 pages containing a miniature mezzotint and selected texts reminding the reader that, as Colette remarked, "There are no ordinary cats." In turquoise cloth tray case, vellum label... More
(Llanhamlach: Red Hen Press, 1983). 16 x 18. A suite of 6 etchings by Shirley Jones, inspired by passages of Anglo Saxon poetry. These are placed, with tissue guards, into a purple paper portfolio, then into a dramatic half chestnut morocco & black cloth tray case by Mary French from... More
1994. 6 1/4 x 10. Eleven double-spreads accomplished in acrylic, pencil, pen and gold leaf painting, and collage. Calligraphic text. Bound in highly textured, painted boards with an abstract design formed by onlays of various materials. Fine in cloth tray, which has a blind & gilt decoration. Edition of 1... More
Heavenly Monkey, 2017. 4 1/2 x 6. Title + 26 leaves+colophon, all printed (black) & calligraphed (red) on rectos only. Bound by Claudia Cohen in a non-adhesive limp vellum, gold-tooled at the edges, title calligraphed in red on the spine. The pastedowns are taken from old vellum manuscripts. Fine in... More
Treasury Department. Washington, D. C., 1869. Oblong 13 x 9. 3 leaves, 100 pages, 31 plates. The text is arranged in two sections followed by an Index. Pages 1-36 concern bonds, and are followed by 22 hinged-in engraved specimens.Pages 37-66 concern coinage, and are followed by 9 embossed plates printed... More
(NP, ca. 1840). 9 1/4 x 11 3/4. 120 pages. The album is comprised of 12 alphabets of 25 letters (there is no "W") on rectos of thick, smooth paper which was "made" by the artist. There are also a title page, an index, and 10 section titles preceding the... More
[France, 1914]. 8 1/4 x 5 1/2. 18 miniature calendar cover specimens mounted on one sheet, stapled into printed wraps. Printed beneath are their stock numbers and the number of different colors or subjects available. Penciled inside is quantity and price information. Light soil. Very good. Charming calendars in a.... More
Amsterdam, (1748). (5 1/4 x 8. 68 leaves: double-spread title and introduction in Dutch and French (7 pages) followed by 64 leaves of type specimens printed rectos only on heavy paper. Collates [pi 4] A-H8. This copy lacks 20 leaves at the end: I8-L4 (astrological signs, music, & ornaments). The... More
(Northampton) Oxingale Press, 2000. 11 1/2 x 11 1/2. 34 leaves with sixteen color etchings by Michael Kuch. Bound by Claudia Cohen in lemon-colored cloth & her pastepaper boards with an additional etching inset into upper cover. This deluxe set is accompanied by four cloth-bound portfolios, containing: (1) a CD of... More
