Boston: Printed and published for the author, 1854. 20 1/2 x 26 1/2. 16 pages + one-page index + 6 full size color plates. One chromolithograph is from a drawing by Allen; the other 5 are from drawings by Sharp. Recent boards with linen spine; facsimile of original title label... More

Northampton: Gehenna Press, 1997. 9 1/2 x 12 1/2. 26 leaves, including 24 mult-colored montotype portraits of imaginary artisans. Tray case. Fine. This copy not bound, to better have the opportunity to individually display the portraits. Included is a special full leather inlaid and gilt replica of the binding cover... More

A full sheet 17 1/2 x 14 of block-printed pastepaper, bearing the same image twice, with a space for cutting them apart. The design consists of a blue checkered background with a large central floral wreath flanked by 4 smaller oval floral wreathes. The central wreathe surrounds a city (Venice?)... More

(Portland, OR, 2013). A paper hat woven and sculpted from letterpress printed strips of pale green paper. The hat measures 19 inches in diameter and is 7 inches high. Slang and derogatory words that exploit women comprise the handset text. Fine condition. Ms Jacobs spent three years collecting the exhaustive... More

Hadley: Double Elephant Press, 2006. 17 x 12. Poetry, lithographs, and etchings by Michael Kuch retell the Biblical story of Samson from Delilah's point of view. The book's images refer to and play upon well-known works of art. The upper cover has a collage of a temple with marbled paper... More

West Hatfield: Pennyroyal Press, (1989). 5 1/2 x 8 1/2. 161 pages, with 10 wood engravings. Quarter citron morocco, marbled boards, cover label with wood engraving of a trout fly. Top edge has pinpoint foxing, all else fine. No. 53 of 200 copies signed by Maclean and Moser. The engravings of fishermen's flies are framed in red rules. More

Northampton, 1980. 6 1/2 x 10. 29 pages, 3 leaves. Each engraving is signed by Moser. Bound by Peter Verheyen in Dorfner/de Gonet "open joint" style, with text sewn onto leather tapes. Goat vellum sides reveal a design from the book; snakesin spine; graphite top edge, O'Malley Crackle" endpapers. Signed... More

London, 1888. 9 x 11. 6-page intro & list of contributors + 367 leaves of specimens. Some of these are larger, foldout specimens. Two of the specimens are adhered to each other; one is loose. The specimens are printed on papers of every color and style, from thin tissue to... More

(Cambridge, Riverside Press, 1906). 11 1/2 x 17 1/2. xxxiv double-column pages. Illustrated with seven "stained glass windows" richly colored by hand. Quarter vellum & boards decorated with a fleur-de-lis pattern, vellum tips. Minor faults to binding: small bump to spine base, light wear bottom edges, small white spot to... More

(Cape Town, 2000). 10 x 9. (44) pages incorporating gold leaf, gold Cameo cigarette papers, tissue paper collages, stamps, cut-outs, fold-overs, strips of printed text paper, & etchings. Bound by the artist with open spine with cotton thread & cotton tapes, black Indian petal paper boards with inset copper plate... More

London, T. Bensley & V. Figgins for P.W. Tomkins, 1797. Royal folio (18 1/2 x 14 1/2). Frontis + 20 other hand colored stipple engravings (6 full page, others in text) all with their original guard sheets. Eight leaves: engraved half title, printed title, engraved calligraphic dedication, Subscribers list, List... More

(Glacier National Park), 2008. 8 x 9. Accordion-fold of 12 pages hand written, drawn, and watercolored. The reverse of each page (the "backside" of the accordion) bears a painted fern. In the form of a naturalist's journal, the artist records what she sees, and the feelings evoked. Attached to sage... More